February 2022 Releases

So begins The Christie Affair, told from the point of view of Miss Nan O’Dea, a fictional character but based on someone real. In 1925, she infiltrated the wealthy, rarified world of author Agatha Christie and her husband, Archie. A world of London townhomes, country houses, shooting parties, and tennis matches. Nan O’Dea became Archie’s mistress, luring him away from his devoted wife. In every way, she became a part of their world–first, both Christies. Then, just Archie.

The question is, why?

And what did it have to do with the mysterious eleven days that Agatha Christie went missing?

The answer takes you back time, to Ireland, to a young girl in love, to a time before The Great War. To a star-crossed couple who were destined to be together–until war and pandemic and shameful secrets tore them apart.

What makes a woman desperate enough to destroy another woman’s marriage?
What makes someone vengeful enough to hatch a plot years in the making?
What drives someone to murder?

Finlay Donovan is—once again—struggling to finish her next novel and keep her head above water as a single mother of two. On the bright side, she has her live-in nanny and confidant Vero to rely on, and the only dead body she’s dealt with lately is that of her daughter’s pet goldfish.

On the not-so-bright side, someone out there wants her ex-husband, Steven, out of the picture. Permanently. Whatever else Steven may be, he’s a good father, but saving him will send her down a rabbit hole of soccer moms disguised as hit-women, and a little bit more involvement with the Russian mob than she’d like.

Meanwhile, Vero’s keeping secrets, and Detective Nick Anthony seems determined to get back into her life. He may be a hot cop, but Finlay’s first priority is preventing her family from sleeping with the fishes… and if that means bending a few laws then so be it.

With her next book’s deadline looming and an ex-husband to keep alive, Finlay is quickly coming to the end of her rope. She can only hope there isn’t a noose at the end of it…

1836, Prussia. Hanne is nearly fifteen and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls and friendship doesn’t come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance.

Hanne’s family are Old Lutherans, and in her small village hushed worship is done secretly – this is a community under threat. But when they are granted safe passage to Australia, the community rejoices: at last a place they can pray without fear, a permanent home. Freedom.

It’s a promise of freedom that will have devastating consequences for Hanne and Thea, but, on that long and brutal journey, their bond proves too strong for even nature to break . . .

When fate and tacos bring Ramón and Julieta together on the Day of the Dead, the star-crossed pair must make a choice: accept the bitter food rivalry that drives them apart or surrender to a love that consumes them—perfect for fans of Jane the Virgin!

Ramón Montez always achieves his goals. Whether that means collecting Ivy League degrees or growing his father’s fast-food empire, nothing sets Ramón off course. So when the sexy señorita who kissed him on the Day of the Dead runs off into the night with his heart, he determines to do whatever it takes to find her again.

Celebrity chef Julieta Campos has sacrificed everything to save her sea-to-table taqueria from closing. To her horror, she discovers that her new landlord is none other than the magnetic mariachi she hooked up with on Dia de los Muertos. Even worse, it was his father who stole her mother’s taco recipe decades ago. Julieta has no choice but to work with Ramón, the man who destroyed her life’s work—and the one man who tempts and inspires her.

As San Diego’s outraged community protests against the Taco King take-over and the divide between their families grows, Ramón and Julieta struggle to balance the rising tensions. But Ramón knows that true love is priceless and despite all of his successes, this is the one battle he refuses to lose.

Romania, 1989. Communist regimes are crumbling across Europe. Seventeen-year-old Cristian Florescu dreams of becoming a writer, but Romanians aren’t free to dream; they are bound by rules and force.

Amidst the tyrannical dictatorship of Nicolae Ceaușescu in a country governed by isolation and fear, Cristian is blackmailed by the secret police to become an informer. He’s left with only two choices: betray everyone and everything he loves—or use his position to creatively undermine the most notoriously evil dictator in Eastern Europe.

Cristian risks everything to unmask the truth behind the regime, give voice to fellow Romanians, and expose to the world what is happening in his country. He eagerly joins the revolution to fight for change when the time arrives. But what is the cost of freedom?

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history.

Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she’s the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.

Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie’s obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.

Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity–until a singular event unites them once more, with dizzying effects. And after Marie inherits her father’s sugar empire and Sadie disappears into the city’s gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city–the only question is whether they will find each other once more.

Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal’s wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can’t let someone go.

As Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob’s tumultuous relationship with Isaac’s mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob’s role as a father and his reaction to Isaac’s being gay.

But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. 

With piercing insight and profound empathy, acclaimed author Daniel Black illuminates the lived experiences of Black fathers and queer sons, offering an authentic and ultimately hopeful portrait of reckoning and reconciliation. Spare as it is sweeping, poetic as it is compulsively readable, Don’t Cry for Me is a monumental novel about one family grappling with love’s hard edges and the unexpected places where hope and healing take flight.

On a sultry August day in 1922, Jay Gatsby is shot dead in his West Egg swimming pool. To the police, it appears to be an open-and-shut case of murder/suicide when the body of George Wilson, a local mechanic, is found in the woods nearby.

Then a diamond hairpin is discovered in the bushes by the pool, and three women fall under suspicion. Each holds a key that can unlock the truth to the mysterious life and death of this enigmatic millionaire.

Daisy Buchanan once thought she might marry Gatsby—before her family was torn apart by an unspeakable tragedy that sent her into the arms of the philandering Tom Buchanan.

Jordan Baker, Daisy’s best friend, guards a secret that derailed her promising golf career and threatens to ruin her friendship with Daisy as well.

Catherine McCoy, a suffragette, fights for women’s freedom and independence, and especially for her sister, Myrtle Wilson, who’s trapped in a terrible marriage.

Their stories unfold in the years leading up to that fateful summer of 1922, when all three of their lives are on the brink of unraveling. Each woman is pulled deeper into Jay Gatsby’s romantic obsession, with devastating consequences for all of them.

As any reader of murder mysteries can tell you, poison is one of the most enduring—and popular—weapons of choice for a scheming murderer. It can be slipped into a drink, smeared onto the tip of an arrow or the handle of a door, even filtered through the air we breathe. But how exactly do these poisons work to break our bodies down, and what can we learn from the damage they inflict?

In a fascinating blend of popular science, medical history, and true crime, Dr. Neil Bradbury explores this most morbidly captivating method of murder from a cellular level. Alongside real-life accounts of murderers and their crimes—some notorious, some forgotten, some still unsolved—are the equally compelling stories of the poisons involved: eleven molecules of death that work their way through the human body and, paradoxically, illuminate the way in which our bodies function.

Drawn from historical records and current news headlines, A Taste for Poison weaves together the tales of spurned lovers, shady scientists, medical professionals and political assassins to show how the precise systems of the body can be impaired to lethal effect through the use of poison. From the deadly origins of the gin & tonic cocktail to the arsenic-laced wallpaper in Napoleon’s bedroom, A Taste for Poison leads readers on a riveting tour of the intricate, complex systems that keep us alive—or don’t.

Two women. A history of witchcraft. And a deep-rooted female power that sings across the centuries.

Once there was a young woman from a well-to-do New England family who never quite fit with the drawing rooms and parlors of her kin.

Called instead to the tangled woods and wild cliffs surrounding her family’s estate, Margaret Harlowe grew both stranger and more beautiful as she cultivated her uncanny power. Soon, whispers of “witch” dogged her footsteps, and Margaret’s power began to wind itself with the tendrils of something darker.

One hundred and fifty years later, Augusta Podos takes a dream job at Harlowe House, the historic home of a wealthy New England family that has been turned into a small museum in Tynemouth, Massachusetts. When Augusta stumbles across an oblique reference to a daughter of the Harlowes who has nearly been expunged from the historical record, the mystery is too intriguing to ignore.

But as she digs deeper, something sinister unfurls from its sleep, a dark power that binds one woman to the other across lines of blood and time. If Augusta can’t resist its allure, everything she knows and loves—including her very life—could be lost forever.

Heiresses: surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Heiresses tells the stories of these million dollar babies: Mary Davies, who inherited London’s most valuable real estate, and was bartered from the age of twelve; Consuelo Vanderbilt, the original American “Dollar Heiress”, forced into a loveless marriage; Barbara Hutton, the Woolworth heiress who married seven times and died almost penniless; and Patty Hearst, heiress to a newspaper fortune who was arrested for terrorism. However, there are also stories of independence and achievement: Angela Burdett-Coutts, who became one of the greatest philanthropists of Victorian England; Nancy Cunard, who lived off her mother’s fortune and became a pioneer of the civil rights movement; and Daisy Fellowes, elegant linchpin of interwar high society and noted fashion editor.

Heiresses is about the lives of the rich, who—as F. Scott Fitzgerald said—are ‘different’. But it is also a bigger story about how all women fought their way to equality, and sometimes even found autonomy and fulfillment.

You should know, right now, that I’m a liar.

They’re usually little lies. Tiny lies. Baby lies. Not so much lies as lie adjacent.

But they’re still lies.

Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.

Except it’s all fake.

Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the facade.

But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.

But it might already be too late.

A GHOST SHIP.
A SALVAGE CREW.
UNSPEAKABLE HORRORS.

Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right.

Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

Seventeen-year-old Farrah Turner is one of two Black girls in her country club community, and the only one with Black parents. Her best friend, Cherish Whitman, adopted by a wealthy white family, is something Farrah likes to call WGS—White Girl Spoiled. With Brianne and Jerry Whitman as parents, Cherish is given the kind of adoration and coddling that even upper-class Black parents can’t seem to afford—and it creates a dissonance in her best friend that Farrah can exploit. When her own family is unexpectedly confronted with foreclosure, the calculating Farrah is determined to reassert the control she’s convinced she’s always had over her life by staying with Cherish, the only person she loves—even when she hates her.

A troubled Farrah manipulates her way further into the Whitman family but the longer she stays, the more her own parents suggest that something is wrong in the Whitman house. She might trust them—if they didn’t think something was wrong with Farrah, too. As strange things start happening at the Whitman household—debilitating illnesses, upsetting fever dreams, an inexplicable tension with Cherish’s hothead boyfriend, and a strange journal that seems to keep track of what is happening to Farrah—it’s nothing she can’t handle. But soon everything begins to unravel when the Whitmans invite Farrah closer, and it’s anyone’s guess who is really in control.

Told in Farrah’s chilling, unforgettable voice and weaving in searing commentary on race and class, this slow-burn social horror will keep you on the edge of your seat until the last page.

Overachiever Luz “Lulu” Zavala has straight As, perfect attendance, and a solid ten-year plan. First up: nail her interview for a dream internship at Stanford, the last stop on her school’s cross-country college road trip. The only flaw in her plan is Clara, her oldest sister, who went off to college and sparked a massive fight with their overprotective Peruvian mom, who is now convinced that out-of-state-college will destroy their family. If Lulu can’t fix whatever went wrong between them, the whole trip—and her future—will be a waste.

Middle sister Milagro wants nothing to do with college, or a nerdy class field trip. Then a spot opens up on the trip just as her own Spring Break plans (Operation: Lose Your Virginity) are thwarted, and she hops on the bus with her glittery lipsticks, more concerned about getting back at her ex than she is about schools or any family drama. But the trip opens her eyes about possibilities she’d never imagined for herself. Maybe she is more than the boy-crazy girl everyone seems to think she is.

On a journey from Baltimore all the way to San Francisco, Lulu and Milagro will become begrudging partners as they unpack weighty family expectations, uncover Clara’s secrets, and maybe even discover the true meaning of sisterhood.

A fake relationship between a magic-less witch and a wolf shifter turns to more in the start of a bewitching new paranormal rom-com series.

Magic-less witch Violet Maxwell wants nothing to do with alpha wolf shifter Lincoln Thorne—the man who broke her fragile, teenage heart. But when the two of them are forced by arcane Supernatural Laws to find mates, Violet and Lincoln agree to fake-date their way to a fake-mating in order to conjure themselves some time.

The joke’s on them. When old feelings make a reappearance—along with Violet’s magic—they both realize there’s nothing fake about their feelings. But there are old secrets and looming threats that could snatch away their happily ever after, again. One thing’s for sure: magic doesn’t make dating and love any easier.

Haley McGee is in debt. The solution? A yard sale of gifts from her ex-boyfriends.

But when it comes to pricing, she gets stuck. Surely the ways we invest in our romantic relationships should be reflected in the price. But how? Is the mixtape from your first love worth more than the vintage typewriter from a philanderer? Does sitting on an X-Acto knife wedged between seats on a bus to see the boyfriend you lost your virginity to increase or decrease the value of thenecklace he gave you? Should you be compensated for the miserable times or do they render an item worthless?

Haley decides to gamble on a larger payout. She interviews her exes and enlists the help of a mathematician to create a formula–with eighty-six variables–for the cost of love. As she’s searching for answers, the one that got away reappears with a new proposition.

Female desire, heartbreak and the chance for integrity in the aftermath of both are held up in this whipsmart, original and daringly candid memoir. As Haley McGee interrogates her romantic triumphs and failures with unflinching detail and hilarity, her exquisite prose elevates this all too human conundrum: Is love worth it?

Bitter is thrilled to have been chosen to attend Eucalyptus, a special school where she can focus on her painting surrounded by other creative teens. But outside this haven, the streets are filled with protests against the deep injustices that grip the town of Lucille. Bitter’s instinct is to stay safe within the walls of Eucalyptus . . . but her friends aren’t willing to settle for a world that the adults say is “just the way things are.

Pulled between old friendships, her creative passion, and a new romance, Bitter isn’t sure where she belongs – in the art studio or in the streets. And if she does find a way to help the revolution while being true to who she is, she must also ask: at what cost?

Cara Hawn’s life fell apart after her father cheated on her mother and got remarried to a woman Cara can’t stand. When Cara accidentally posts a rant about her father online, it goes viral—and catches the attention of the TV producers behind a new reality dating show for single parent families.

The next thing Cara and her mother know, they’ve been cast as leads on the show and are whisked away to sunny Key West where they’re asked to narrow a field of suitors and their kids down to one winning pair. All of this is outside of Cara’s comfort zone, from the meddling producers to the camera-hungry contestants, especially as Cara and her mother begin to clash on which suitors are worth keeping around. And then comes Connor.

As the son of a contestant, Connor is decidedly off-limits. Except that he doesn’t fit in with the cutthroat atmosphere in all the same ways as Cara, and she can’t get him out of her head. Now Cara must juggle her growing feelings while dodging the cameras and helping her mom pick a bachelor they both love, or else risk fracturing their family even more for the sake of ratings. Maybe there’s a reason most people don’t date on TV.

Jack Tamerlaine hasn’t stepped foot on Cadence in ten long years, content to study music at the mainland university. But when young girls start disappearing from the isle, Jack is summoned home to help find them. Enchantments run deep on Cadence: gossip is carried by the wind, plaid shawls can be as strong as armor, and the smallest cut of a knife can instill fathomless fear. The capricious spirits that rule the isle by fire, water, earth, and wind find mirth in the lives of the humans who call the land home. Adaira, heiress of the east and Jack’s childhood enemy, knows the spirits only answer to a bard’s music, and she hopes Jack can draw them forth by song, enticing them to return the missing girls.

As Jack and Adaira reluctantly work together, they find they make better allies than rivals as their partnership turns into something more. But with each passing song, it becomes apparent the trouble with the spirits is far more sinister than they first expected, and an older, darker secret about Cadence lurks beneath the surface, threatening to undo them all.

With unforgettable characters, a fast-paced plot, and compelling world building, A River Enchanted is a stirring story of duty, love, and the power of true partnership, and marks Rebecca Ross’s brilliant entry on the adult fantasy stage.

Savannah Cade is a low-level editor at Pennington Publishing, a prestigious publisher producing only the highest of highbrow titles. And while editing the latest edition of The Anthology of Medieval Didactic Poetry may be her day job, she has two secrets she’s hiding.

One: She’s writing a romance novel.

Two: She’s discovered the Book Nook—a secret room in the publishing house where she finds inspiration for her “lowbrow” hobby.

After leaving her manuscript behind one afternoon, she returns to the nook only to discover someone has written notes in the margins. Savannah’s first response to the criticism is defensive, but events transpire that force her to admit that she needs the help of this shadowy editor after all. As the notes take a turn for the romantic, and as Savannah’s madcap life gets more complicated than ever, she uses the process of elimination to identify her mysterious editor—only to discover that what she truly wants and what she should want just might not be the same. Melissa Ferguson’s latest—a love letter to books, readers, and romance—will leave fans laughing out loud and swooning in the same breath.

In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.

Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.

Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.

When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.

Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…

Deadly storms have ravaged Mina’s homeland for generations. Floods sweep away entire villages, while bloody wars are waged over the few remaining resources. Her people believe the Sea God, once their protector, now curses them with death and despair. In an attempt to appease him, each year a beautiful maiden is thrown into the sea to serve as the Sea God’s bride, in the hopes that one day the “true bride” will be chosen and end the suffering.

Many believe that Shim Cheong, the most beautiful girl in the village—and the beloved of Mina’s older brother Joon—may be the legendary true bride. But on the night Cheong is to be sacrificed, Joon follows Cheong out to sea, even knowing that to interfere is a death sentence. To save her brother, Mina throws herself into the water in Cheong’s stead.

Swept away to the Spirit Realm, a magical city of lesser gods and mythical beasts, Mina seeks out the Sea God, only to find him caught in an enchanted sleep. With the help of a mysterious young man named Shin—as well as a motley crew of demons, gods and spirits—Mina sets out to wake the Sea God and bring an end to the killer storms once and for all.

But she doesn’t have much time: A human cannot live long in the land of the spirits. And there are those who would do anything to keep the Sea God from waking…

Her name is unimportant.

All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain—an evil which has already killed nine of her village’s men.

She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.

Today she will be a saint of Haven. She will rid her family of her mother’s shame at last and save her people from destruction. She is not afraid. Are you?

This searing and lyrically written novel by the critically acclaimed author of Sawkill Girls beckons readers to follow its fierce heroine into a world filled with secrets and blood—where the truth is buried in lies and a devastating power waits, seething, for someone brave enough to use it.

It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place.

But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down.

As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . .

. . . she is not the hero.

Russia, 1918: With the execution of Tsar Nicholas, the empire crumbles and Russia is on the edge of civil war—the poor are devouring the rich. Anna, a bourgeois girl, narrowly escaped the massacre of her entire family in Yekaterinburg. Desperate to get away from the Bolsheviks, she offers a peasant girl a diamond to take her as far south as possible—not realizing that the girl is a communist herself. With her brother in desperate need of a doctor, Evgenia accepts Anna’s offer and suddenly finds herself on the wrong side of the war.

Anna is being hunted by the Bolsheviks, and now—regardless of her loyalties—Evgenia is too.

Daughters of a Dead Empire is a harrowing historical thriller about dangerous ideals, loyalty, and the price we pay for change. An imaginative retelling of the Anastasia story.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.

By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.

Can you spot the difference?

Emma Caan is a fake.

She’s a forger, an artist who specializes in nineteenth-century paintings. But she isn’t a criminal; her copies are commissioned by museums and ultra-wealthy collectors protecting their investments. Emma’s more than mastered a Gauguin brushstroke and a van Gogh wheat field, but her work is sometimes a painful reminder of the artistic dreams she once chased for herself, when she was younger and before her family and her world fell apart.

When oligarch art collector Leonard Sobetsky unexpectedly appears with an invitation, Emma sees a way out—a new job, a new path for herself, and access to the kind of money she needs to support her unstable and recently widowed mother.

But every invitation incurs an obligation . . . and Emma isn’t prepared for what’s to come. As she’s pulled further into Leonard’s opulent scene, she will discover what’s lurking beneath the glitz and glamour. When she does, the past she’s worked hard to overcome will collide with the present, making her wonder how much of her carefully curated life is just as fake as her forgeries . . .