November Wrap Up (Blogmas Day One)

David Starr Jordan was a taxonomist, a man possessed with bringing order to the natural world. In time, he would be credited with discovering nearly a fifth of the fish known to humans in his day. But the more of the hidden blueprint of life he uncovered, the harder the universe seemed to try to thwart him. His specimen collections were demolished by lightning, by fire, and eventually by the 1906 San Francisco earthquake—which sent more than a thousand of his discoveries, housed in fragile glass jars, plummeting to the floor. In an instant, his life’s work was shattered.

Many might have given up, given in to despair. But Jordan? He surveyed the wreckage at his feet, found the first fish he recognized, and confidently began to rebuild his collection. And this time, he introduced one clever innovation that he believed would at last protect his work against the chaos of the world.

When NPR reporter Lulu Miller first heard this anecdote in passing, she took Jordan for a fool—a cautionary tale in hubris, or denial. But as her own life slowly unraveled, she began to wonder about him. Perhaps instead he was a model for how to go on when all seemed lost. What she would unearth about his life would transform her understanding of history, morality, and the world beneath her feet.

Part biography, part memoir, part scientific adventure, Why Fish Don’t Exist reads like a fable about how to persevere in a world where chaos will always prevail.

As an undergraduate, Michele Filgate started writing an essay about being abused by her stepfather. It took her more than a decade to realize what she was actually trying to write: how this affected her relationship with her mother. When it was finally published, the essay went viral, shared on social media by Anne Lamott, Rebecca Solnit, and many others. The outpouring of responses gave Filgate an idea, and the resulting anthology offers a candid look at our relationships with our mothers.

While some of the writers in this book are estranged from their mothers, others are extremely close. Leslie Jamison writes about trying to discover who her seemingly perfect mother was before ever becoming a mom. In Cathi Hanauer’s hilarious piece, she finally gets a chance to have a conversation with her mother that isn’t interrupted by her domineering (but lovable) father. André Aciman writes about what it was like to have a deaf mother. Melissa Febos uses mythology as a lens to look at her close-knit relationship with her psychotherapist mother. And Julianna Baggott talks about having a mom who tells her everything.

As Filgate writes, “Our mothers are our first homes, and that’s why we’re always trying to return to them.” There’s relief in breaking the silence. Acknowledging what we couldn’t say for so long is one way to heal our relationships with others and, perhaps most important, with ourselves.

In a world broken by war, a team of young warriors is willing to sacrifice everything to save what they love.

The Karensa Federation has conquered a dozen countries, leaving Mara as one of the last free nations in the world. Refugees flee to its borders to escape a fate worse than death—transformation into mutant war beasts known as Ghosts, creatures the Federation then sends to attack Mara.

The legendary Strikers, Mara’s elite fighting force, are trained to stop them. But as the number of Ghosts grows and Karensa closes in, defeat seems inevitable.

Still, one Striker refuses to give up hope.

Robbed of her voice and home, Talin Kanami knows firsthand the brutality of the Federation. Their cruelty forced her and her mother to seek asylum in a country that considers their people repugnant. She finds comfort only with a handful of fellow Strikers who have pledged their lives to one another and who are determined to push Karensa back at all costs.

When a mysterious prisoner is brought from the front, Talin senses there’s more to him than meets the eye. Is he a spy from the Federation? Or could he be the weapon that will save them all?

Love hurts…

Makani Young thought she’d left her dark past behind her in Hawaii, settling in with her grandmother in landlocked Nebraska. She’s found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn’t far behind.

Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.

Drawing on Maggie O’Farrell’s long-term fascination with the little-known story behind Shakespeare’s most enigmatic play, HAMNET is a luminous portrait of a marriage, at its heart the loss of a beloved child.

Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet.

Award-winning author Maggie O’Farrell’s new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history. 

Gifty is a fifth-year candidate in neuroscience at Stanford School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after a knee injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her.

But even as she turns to the hard sciences to unlock the mystery of her family’s loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief–a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi’s phenomenal debut. 

Olivia Langley is the human embodiment of Christmas cheer, and she has absolutely no problem spreading it around for all to hear.

Christmas sweaters? She has twenty. Christmas cookies? She’ll take three dozen. Christmas movies? Yeah, she’s seen them all.

So it’s no surprise when she’s put in charge of Loveridge & McGowan’s holiday festivities. Secret Santas? Yep. Ice skating? Of course. Holiday trivia? Duh. Christmas-themed bar crawl? That’s one big jingle bell hell yes.

Kissing her boss at a Christmas tree lighting in front of his ex-girlfriend? Well… it is the season of giving.

And Olivia does not come with a gift receipt. No exchanges. No returns. No refunds. All sales are final.

In an effort to ungrinch the grinchiest man she’s ever met, Olivia enlists herself, Santa’s Executive Helper, to scheme up a plan that includes sleigh rides, snow days, and one too many mistletoe kisses, which certainly gets Asher’s tinsel in a tangle.

She’s pretty sure that she sleighed this whole fake dating thing.

Well… until she realizes there’s nothing fake about her feelings for Asher, and suddenly tangled tinsel, unsolicited Christmas trees, and celebrity heartthrobs are the least of her worries.

William Reid is nothing special, except for his billion-dollar acting career and his, you know, face. (Apparently, it’s a good one.) Winning ‘Sexiest Man Alive’ was nice, but this Christmas, he has more important goals in mind… like finally winning over his best friend’s little sister, the super-smart and kinda-scary Abbie Farrell.

When a blizzard leaves Will and Abbie alone at Grandma Farrell’s house (if bunking with 27 pets counts as ‘alone’), it’s the perfect opportunity to pull off a Christmas miracle. Convincing clever, frosty Abbie to give Will a chance will take more than mistletoe, but hiding his lifelong crush on her is no longer an option.

In A Thousand Ships, broadcaster and classicist Natalie Haynes retells the story of the Trojan War from an all-female perspective.

This was never the story of one woman, or two. It was the story of all of them…

In the middle of the night, Creusa wakes to find her beloved Troy engulfed in flames. Ten seemingly endless years of brutal conflict between the Greeks and the Trojans are over, and the Greeks are victorious. Over the next few hours, the only life she has ever known will turn to ash . . .

The devastating consequences of the fall of Troy stretch from Mount Olympus to Mount Ida, from the citadel of Troy to the distant Greek islands, and across oceans and sky in between. These are the stories of the women embroiled in that legendary war and its terrible aftermath, as well as the feud and the fatal decisions that started it all…

Powerfully told from an all-female perspective, A Thousand Ships gives voices to the women, girls and goddesses who, for so long, have been silent.