The Anticipated Releases Book Tag

Viewing an apartment normally doesn’t turn into a life-or-death situation, but this particular open house becomes just that when a failed bank robber bursts in and takes everyone in the apartment hostage. As the pressure mounts, the eight strangers slowly begin opening up to one another and reveal long-hidden truths.

First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.

As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.

Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

A Life No One Will Remember. A Story You Will Never Forget.

France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever and is cursed to be forgotten by everyone she meets.

Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.

But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name. 

A timely feminist YA novel in verse about periods, sex, shame and going viral for all the wrong reasons.


BLOOD MOON is a YA novel about the viral shaming of a teenage girl. During her seminal sexual experience with the quiet and lovely Benjamin, physics-lover and astronomy fan Frankie gets her period – but the next day a gruesome meme goes viral, turning an innocent, intimate afternoon into something sordid, mortifying and damaging. 

To most people, Quan Diep is nothing but a surly-looking, underachieving playboy. The problem is he’s not any of those things. And now that he’s the CEO of an up-and-coming retail business, he’s suddenly a “catch,” and the rich girls who never used to pay any attention to him are looking at him in a new way—especially Camilla, the girl who brushed him off many years ago.

Anna Sun dislikes Quan Diep almost as much as germy bathroom door handles. Or so she tells herself. She will never admit that she has a secret crush on him, especially because he only has eyes for her charismatic and newly engaged younger sister Camilla. Over the years, Anna has worked hard to overcome her OCD, but she’ll still need to find a way to bury her anxieties and seduce Quan so he doesn’t ruin her sister’s engagement, and with it, a crucial real estate development deal.

Slowly, Anna breaks down Quan’s dangerous and careless exterior while peeling off her own tough, protective shell. But when Quan discovers Anna’s true intentions, he’s forced to confront his own hurtful past and learn to forgive, while Anna must face her greatest challenge: truly opening herself up to love.

LONDON:On a fine avenue of grand houses, big cars and electronic gates, lies a neglected urban wasteland

It is nearly midnight, and very cold. Yet in this dark place of long grass and tall trees where cats hunt and foxes shriek, a girl is waiting…

When Saffyre Maddox was ten something terrible happened and she’s carried the pain of it around with her ever since. The man who she thought was going to heal her didn’t, and now she hides from him, invisible in the shadows, learning his secrets; secrets she could use to blow his safe, cosy world apart.

Owen Pick is invisible too. He’s thirty-three years old and he’s never had a girlfriend, he’s never even had a friend. Nobody sees him. Nobody cares about him.

But when Saffyre Maddox disappears from opposite his house on Valentine’s night, suddenly the whole world is looking at him. Accusing him. Holding him responsible.

Because he’s just the type, isn’t he? A bit creepy?

INVISIBLE GIRL: A story of secrets and injustices, and of how we look in the wrong places for the bad people while the real predators walk among us in plain sight.

Where does the story of the Owens bloodline begin? With Maria Owens, in the 1600s, when she’s abandoned in a snowy field in rural England as a baby. Under the care of Hannah Owens, Maria learns about the “Unnamed Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows. It is here that she learns her first important lesson: Always love someone who will love you back.

When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters.

Magic Lessons is a celebration of life and love and a showcase of Alice Hoffman’s masterful storytelling. 

Yadriel has summoned a ghost, and now he can’t get rid of him.

When his traditional Latinx family has problems accepting his gender, Yadriel becomes determined to prove himself a real brujo. With the help of his cousin and best friend Maritza, he performs the ritual himself, and then sets out to find the ghost of his murdered cousin and set it free.

However, the ghost he summons is actually Julian Diaz, the school’s resident bad boy, and Julian is not about to go quietly into death. He’s determined to find out what happened and tie up some loose ends before he leaves. Left with no choice, Yadriel agrees to help Julian, so that they can both get what they want. But the longer Yadriel spends with Julian, the less he wants to let him leave. 

Dublin, 1918: three days in a maternity ward at the height of the Great Flu. A small world of work, risk, death and unlooked-for love, by the bestselling author of The Wonder and ROOM.

In an Ireland doubly ravaged by war and disease, Nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new Flu are quarantined together. Into Julia’s regimented world step two outsiders—Doctor Kathleen Lynn, on the run from the police, and a young volunteer helper, Bridie Sweeney.

In the darkness and intensity of this tiny ward, over three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work.

In The Pull of the Stars, Emma Donoghue once again finds the light in the darkness in this new classic of hope and survival against all odds. 

A powerful, emotional debut novel told in the unforgettable voice of a young Nigerian woman who is trapped in a life of servitude but determined to fight for her dreams and choose her own future.

Adunni is a fourteen-year-old Nigerian girl who knows what she wants: an education. This, her mother has told her, is the only way to get a “louding voice”—the ability to speak for herself and decide her own future. But instead, Adunni’s father sells her to be the third wife of a local man who is eager for her to bear him a son and heir.

When Adunni runs away to the city, hoping to make a better life, she finds that the only other option before her is servitude to a wealthy family. As a yielding daughter, a subservient wife, and a powerless slave, Adunni is told, by words and deeds, that she is nothing.

But while misfortunes might muffle her voice for a time, they cannot mute it. And when she realizes that she must stand up not only for herself, but for other girls, for the ones who came before her and were lost, and for the next girls, who will inevitably follow; she finds the resolve to speak, however she can—in a whisper, in song, in broken English—until she is heard.

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother―or even her five-year-old daughter, Tru.

Beating with the pulse of a long-witheld confession, Patsy gives voice to a woman who looks to America for the opportunity to choose herself first―not to give a better life to her family back home. Patsy leaves Tru behind in a defiant act of self-preservation, hoping for a new start where she can be, and love, whomever she wants. But when Patsy arrives in Brooklyn, America is not as Cicely’s treasured letters described; to survive as an undocumented immigrant, she is forced to work as a bathroom attendant and nanny. Meanwhile, Tru builds a faltering relationship with her father back in Jamaica, grappling with her own questions of identity and sexuality, and trying desperately to empathize with her mother’s decision.

Expertly evoking the jittery streets of New York and the languid rhythms of Jamaica, Patsy weaves between the lives of Patsy and Tru in vignettes spanning more than a decade as mother and daughter ultimately find a way back to one another.

How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel, Edinburgh, and the election of Donald Trump.

By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack. 

In 2019, seventy-year-old Signe sets out on a hazardous voyage to cross an entire ocean in only a sailboat. She is haunted by the loss of the love of her life, and is driven by a singular and all-consuming mission to make it back to him.

In 2041, David flees with his young daughter, Lou, from a war-torn Southern Europe plagued by drought. They have been separated from their rest of their family and are on a desperate search to reunite with them once again, when they find Signe’s abandoned sailboat in a parched French garden, miles away from the nearest shore.

As David and Lou discover personal effects from Signe’s travels, their journey of survival and hope weaves together with Signe’s, forming a heartbreaking, inspiring story about the power of nature and the human spirit in this second novel from the author of the “spectacular and deeply moving” (New York Times bestselling author Lisa See) The History of Bees. 

In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant–and that her lover is married–she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son’s powerful father, sets off a dramatic saga that will echo down through the generations.

Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan’s finest universities to the pachinko parlors of the criminal underworld, Lee’s complex and passionate characters–strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis–survive and thrive against the indifferent arc of history.